| Narrative Techniques in Tess of the D'Urbervilles
I. Thomas Hardy and his Tess of the D'Urbervilles
Son of a mason, Thomas Hardy (1840-1928) was
born in Dorsetshire, southwest of England, the
area that later became the famous "wessex"
in many of his novels. From his parents, hardy
gained all interests that would appear in his
novels and his own life: his love for architecture
and music, his interest in lifestyles of the
country folk, and his passion for all sorts
of literature.
He completed his general education by attending
classes reading widely: language, literature,
history, philosophy and art. Moreover he interested
himself in fiction and poetry. In his youth,
Thomas Hardy had been greatly influenced by
some liberal thinkers such as Darwin and John
Stuart Mill. In his novels, Hardy incorporated
many of these themes in order to portray a real
world. Darwin's challenge led Hardy to lose
faith in Christianity, and this lack of faith
gave his novels their tragic, bleak element.
Tess of the D'Urbervilles was the twelfth novel
published by Thomas Hardy. He began the novel
in 1889 and encountered roadblocks when attempting
to find an editor and publisher for Tess of
the D'Urbervilles. It was originally serialized
in the Graphic after being rejected by several
periodicals from July to December in 1891. It
finally published as a novel in December of
1891. When at last the reception of the novel
was favorable and drew great public attention,
certain critics harshly attacked it. They attacked
Tess's morality and blasted Hardy's suggestion
in the novel that God is malicious. The outcry
discouraged the author to such an extent that
he ceased writing novels altogether. At the
age of sixty, Hardy turned entirely to poetry.
On January 11,1928, Hardy, the last important
novelist and poet of the nineteenth century
died who was buried with impressive ceremonies
in the Poet's Corner in Westminster abbey.
Tess of the D'Urbervilles, like the other major
works by Thomas Hardy, although technically
nineteenth century work, anticipates the twentieth
century in regard to the nature and the treatment
of its subject matter. The novel questions the
society's sexual mores by compassionately portraying
a heroine who is seduced by the son of her employer
and who thus is not considered a pure and chaste
woman by the society. Upon its publication,
although having encountered brutally hostile
reviews, Tess of the D'Urbervilles is now considered
a major works of fiction. The critical realism
of the novel puts it among the best works of
the late Victorian period.
II. The story and themes
Tess is the beautiful eldest daughter of a
poor villager who discovers that he is a descendant
of the ancient family of the D'Urbervilles.
The family is very poor and one day their horse
is killed by accident. So Tess is persuaded
by her mother to go to the prosperous D'Urbervilles
to claim kindred, though actually the latter
is a family of capitalists who have recently
acquired wealth and bought their way into the
rich class. Working there as a dairymaid, Tess
is seduced by the young master, Alec. She returns
home and give birth to a baby in disgrace. The
child dies in infancy, Tess is considered as
a sinful woman.
Later, she goes to work on a dairy farm in Talbothays.
There she meets Angel Clare, son of a clergyman,
who is there to gather experience of work in
order to be a farmer. The two fall in love.
On their wedding night, after Angel's confession
of his past relation with a bad woman, Tess
tells him of her own story. But while she forgives
him readily, Angel is too much a hypocrite and
a snob and thinks too much of his own reputation
and honor to forgive her. He leaves her for
Brazil and she has to go home. Again poverty
forces her to go out to work. After many vain
attempts, she goes to the notorious Flincomb-Ash
farm where condition is of the worst and the
hardest. Then comes the news of her father's
death and the expulsion of her family from their
cottage. This finally drives Tess back to Alec.
Before long, Angel, repentant of his unjust
treatment to his wife, returns from abroad in
the hope of being reconciled to her, but only
to find her living with Alec. He accuses Tess
and leaves her. Seeing that Alec's relation
with her has once again prevented her union
with Angel, she hates him for ruining her life
and kills him in a fit of despair. After hiding
in a forest and spending a few happy days with
Angel, she is finally arrested, tired, convinced
and hanged.
Tess of the D'Urbervilles deals with several
significant contemporary subjects for Hardy,
among which the social moral concept is one
of the themes. As we know, a nineteenth-century
woman was defined by her adherence to submission
and resistance to sexuality. She was portrayed
by most writers as naive, accepting figure with
strong concerns about living up to the prescribed
social ideals for a respectable woman. The woman
in Jane Austen's(1775-1817) novels offer a clear
representation of the nineteenth-century woman.
Austen refuses these women any sexual expressions
but focuses more upon their concerns with marriage
and society. Thomas Hardy resists Austen's socially
accepted depiction of the female with his radically
independent heroines.
The novel also reflects Hardy's preoccupation
with social sense of hierarchy that continues
through his novels. Hardy had connections to
both the working and upper class, but felt that
he belonged to neither. He felt that rising
in the society was like a "double-edged
sword": "in rising, one must leave
others behind and in a sense comprise one's
beliefs; yet, by failing to rise, one does not
fulfill one's potential"(Sally Mitchell).
This accounts for the clean evidence of Hardy's
frustration and pessimism toward social mobility
and the class structure in his works. This is
reflected in the pessimism contained in Tess
of the D'Urbervilles toward the chances for
Tess to ascend in the society and Angel's precarious
position as neither a member of the upper class
nor a working person equivalent to his fellow
milker at Talbothays. Tess, the heroine, is
depicted as a victim of the society. Being a
beautiful, innocent, honest, sweet-natured,
and hard-working country girl, she is easily
taken in and abused by the hypocritical bourgeoisie,
constantly suppressed by the social conventions
and moral values of the day, and eventually
executed by the unfair legal system of the society.
Her absolutely obedience ti Angel as her husband
and her willing to suffering and sacrifice to
him is not only her weakness in character but
also an inevitability in a girl of her upbringing.
And most important of all, it is the poverty
of the family that forces her to improper relation
once and again with Alec, and finally, to her
murder and execution. In this sense, she is
cornered and driven into dead-end by the destructive
social forces embodied in the characters of
Alec and Angel, with one depriving her of her
virginity and purity and the other forcing her
back into an immoral relationship and then catching
her at it, reducing her to desperation and self-destruction.
The theme of tragedy is another eye-catching
subject in Tess of the D'Urbervilles. Tess's
fate on one hand is of individual one, because
she happens to be so beautiful, so pure, so
innocent, so obedient and so poor, and because
she happens to get involved with the two men
who, though apparent rivals, actually join their
forces in bringing about her destruction. On
the other hand, her fate represents that of
the society. In such a society with such religious
and moral concepts, with such social estate,
anyone, pure and poor like Tess would possess
the same fate. It can be the fate of all the
peasants who are driven out of their land and
home and forced to seek somewhere else for life.
According to Hardy's pessimistic philosophy,
some hostile mysterious fate rules mankind and
brings misfortune to human life. Tess is just
a victim and also an evidence to his philosophy.
However, it's not a fate but capitalism that
is responsible for the tragedy.
III. The writing techniques and their significance
IV. Conclusion
Hardy' use of an omniscient narrator, descrptive
settings, allusion and metaphysical symbols,
and letter writing and songs in Tess of the
D'Urbervilles enables Hardy to influence the
way the readers understand and interpret the
events of the novel. These narrative techniques
are highly effective in establishing a relationship
between the characters and the readers and in
understanding of these social, cultural aspects,
and also allow the readers to rationale the
actions and emotions of the characters in relation
to the society in which these characters live.
It is crucial for the readers to comprehend
the background and aspects of Hardy's society
in order that they are able to explicate the
plot of the novel in relation to the environment
in which the characters exist.
Bibliography
Tess of the D'Urbervilles, Thomas Hardy, Oxford
University Press, 1994
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