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Can an exhibition satisfy the requirements of a visitor to whom its subject and content is unfamiliar as well of those of a visitor who is already immersed in its subject matter?
Course: MA Curating Contemporary Design
Chapter 1 Introduction
Exhibitions are complex presentations that convey concepts, showcase objects, and excite the senses. However, there are diversities within the audiences. So can an exhibition satisfy the requirements of a visitor to whom its subject and content is unfamiliar as well of those of a visitor who is already immersed in its subject matter? In this paper, we discussed what should a curator do to avoid this problem when designing an exhibition and how to design a good exhibition combined with the function of exhibition and the role of a curator plays in designing an exhibition.
In recent years, exhibitions play more and more important role in convey cultures, send messages, public communications, and educate the society in our lives. As people in our society have different background of education and different need, accessible design must be taken part in planning an exhibition. Discovering exciting, attractive ways to make exhibitions accessible will most directly serve people with disabilities and older adults. But to name an audience who will not benefit by these designs is impossible. Accessibility begins as a mandate to serve people who have been discriminated against for centuries; it prevails as a tool that serves diverse audien无忧论文 【http://www.uklunwen.com】ces for a lifetime. So that exhibitions must do more: exhibitions must teach to different learning styles, respond to issues of cultural and gender equity, and offer multiple levels of information. The resulting changes in exhibitions have made these presentations more understandable, enjoyable, and connected to visitors. As an exhibition works as a media to convey information to society, the curator plays a significant role in contact the exhibition and it’s audience in transporting the information to them by designing the exhibition appropriately. We take the exhibition as an description of an story, in this procedure, the strong idea of the curator to the exhibition control the description of the story and evenly it may determine whether the exhibition is successful or not. For this reason, a successful exhibition must be designed by a sensible curator.
The development of abstract art during the late nineteenth and early twentieth centuries engendered a new aesthetic, which in turn gave impetus for the art show to be part of that experience. Early modernist exhibition space was to have a resonance with the work-rather than be a place for its cataloguing: the taxonometric procedures for display of the nineteenth century were usurped by individual aesthetic judgement on the part of the curator and designer. The aesthetic, first set out by art historian and Director Alfred Barr in the early years of the Museum of Modern Art, New York, has come to represent the conventional a |
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